Superheroes and Politics - Where's the Line?

Taking a break from grading, I read JLA: Superpower, a Prestige one-shot from 1999 written by John Arcudi that I picked up cheap the other day. Without revealing many details - it's worth looking for, IMHO - it deals with a very eager young hero, Mark Antaeus, who is invited to join the JLA after demonstrating his abilities and devotion. But while he does help the JLA in fighting supervillains and helping victims of natural disasters, he desperately wants to intervene in a political situation involving a murderous (ostensibly fictional) Middle East dictator. The rest of the JLA, while repulsed by the actions of this man, refuse to participate in an assassination attempt, but Mark says he does not plan to kill him, only remove him from power. Nonetheless, the JLA refuses to interfere in "affairs of state," after which Mark quits the JLA and takes matters into his hands. (Read the book for the rest.)

This raises a very interesting point: where does this prohibition on interfering with state affairs come from, and does it strictly rule out interventions to prevent eggregious human rights violations? (I assume the prohibition is based on the U.N., which I believe has a similar provision, chiefly against interfering in civil wars.)

One way to look at the JLA's position is that they respect sovereign nations' laws and policies, whatever their moral status. This reflects the jurisprudential doctrine of legal positivism, that the validity of laws stems (at least primarily) from their source or pedigree, not any independent moral evaluation. But critics of legal positivism - and Mark Antaeus, apparently - believe that there is a higher standard by which to judge governments' laws, a position generally known as natural law. Different natural law thinkers would claim different standards, but all would agree that whatever standard they hold should be used to evaluate even sovereign nations' laws and actions. For instance, human rights groups regularly criticize national governments for violating what they feel are essential human rights, regardless of their legality within each country.

We see this same theme played out in recent issues of Green Lantern, in which Hal Jordan regularly violates the Freedom of Powers Act, a law passed by a group of countries (not including the US) that prohibits the activities of superheroes within their borders. GL's argument is that the whole of space sector 2814 is his jurisdiction - he serves the Guardians of the Universe, not any one Earth nation-state. Just as the early natural law theorists, such as St. Thomas Aquinas, believed that God's law supercedes human laws, Green Lanterns enforce the Guardians' "law" over the laws of any one planet.

And finally, the philosophical battle in Marvel's Civil War can be stated in terms of this debate. Heroes on the Pro-Reg side may have chosen that side because they believed in the intent and prupose of the Superhero Registration Act, or perhaps because they believed that "the law is the law," provided it was instituted through proper legal channels ("primary rules," to use legal positivist H.L.A. Hart's term). (Strangely, Daredevil, who has always espoused a respect for law as law, was Anti-Reg, but maybe the choice was Danny's, not Matt's.) The Anti-Reg forces were opposed to the law because they felt it was wrong, that there were higher ideals threatened by its passage, however legitimate and democratic the process may have been. (This has shades of John Stuart Mill's concept of "tyranny of the majority" - Mill wrote that there are some rights that should be protected even against majoritarian democratic processes, such as those included in the Bill or Rights.) In this light, Captain America's surrender at the end of Civil War #7 can be seen as a concession to legal positivism, that the registration law passed "by the people" should truly be considered to be "for the people," and if his side wants to fight it, they should do so through the proper channels. (There are strong arguments for civil disobedience, of course, but they usually do not include destroying a city in the process, as the final battle in CW #7 was doing before Cap called it off.)

All of this can be summarized in the question: what is justice? Is it defined by governmental laws, or by a higher, "natural" law? Since superheroes are usually understood to be fighting for justice, one cannot avoid these issues, especially in today's more politicized (and philosophical) comics world.

Why is messing with Daredevil's mind so popular?

Just a thought - as I mentioned in my profile, I got into Daredevil last year after I read Brubaker and Lark's first TPB (featuring Matt Murdock in prison). Since then, in addition to keeping up with the monthlies, I read the last TPB by Bendis and Maleev (which tells how Matt went to prison), and then started reading the classic DD, starting with the three collected volumes of Frank Miller's work plus his "Born Again" and "The Man without Fear" origin story, Loeb and Sale's fantastic "Yellow," then "The Fall of the Kingpin," and "Fall from Grace" (featuring the hideous armored costume), plus assorted loose issues. (If anyone wants to start reading DD, this Amazon list is a great place to start.)

So then I started reading the current run, specifically Kevin Smith's 8-issue arc, which I just finished. I'm a huge Kevin Smith fan, mainly of his movies (snoochy-boochies!), but also his Green Arrow run, which is what pulled me back into comics several years ago. His DD story was just as good, and the art (by current Marvel EIC Joe Quesada) was incredible too - I highly recommend the TPB to any DD fan (warning: some knowledge of past DD lore is recommended as well).

So, after reading all this DD, I have to ask: is there any hero whose mind gets messed with as much as poor Matt Murdock? Never mind all the tragedy is his life - blinded as a youth, most every woman he loves dies (Kyle Rayner has the same problem over at DC, of course), etc. But most of best story arcs involve breaking the guy DOWN. Examples:

SPOILERS AHEAD: In "Born Again," Wilson Fisk (Kingpin) discovers DD's secret identity (through one of DD's lady loves) and then meticulously dismantles his life piece by piece. (DD returns the favor in "Fall of the Kingpin.") In the recent books, Fisk's wife gets him thrown in jail (with the help of a corrupt FBI agent), engineers Foggy's death, teases him with a woman that smells like one of DD's dead lovers, and then offers to make everything right if he gets her husband out of prison, the last thing he wants to do. In numerous stories since Frank Miller introduced her, Elektra dies and comes back, dies and comes back, dies and... you get the idea. (Seems it might happen again in a few months, based on Marvel soliciations.) And in Smith's arc, Mysterio - you know, Spidey's dome-headed foe - makes DD think an infant thrust into his care is of Biblical importance, everyone who doubts him is part of a grand conspiracy, and, to cap things off in true DD fashion, Bullseye, who Mysterio sent to fetch the babe, kills one of Matt's loves. END OF SPOILERS.

My question is: why is DD such an easy mark for these head games? Is he widely known to be that unstable? Is it the fact that he has a life to destroy, or that he actually commits to women? Sure, Batman gets messed with a bit - the whole Knightfall event, the death of Jason Todd, being framed for murder, the resurrection of Jason Todd - but I haven't read a Batman tale where he is completely broken down psychologically like DD routinely is. But Bruce Wayne is widely regarded as a mere ruse, and he rarely commits to a woman for more than one writer's tenure (with the exception of Selina Kyle).

Maybe it's a Marvel thing - their heroes have traditionally been more "damaged" (Daredevil - not simply the blindness, but having been deserted by his mother and then losing his father), misfits and outcasts (X-Men, Spiderman), flawed (Iron Man), or just jerks (the new Ant-Man) - ostensibly to make them more appealing to the all-too-human readers. (This fits in with the death of Captain America, who may have been all too perfect for the Marvel Universe.) But I can't be sure, because I haven't read enough Marvel (though I know Spidey's certainly faced his share of tragedy - the deaths of Uncle Ben of course, Gwen Stacey, and Aunt May several times over).

I'm anxious to see where Brubaker's headed with the next story arc, but please - go easy on Matt, at least for a couple issues. (After all, you got to kill Cap, and you have Iron Fist to mess with now.)