Call for Abstracts
Spider-Man and Philosophy
Edited by Jonathan J. Sanford
The Blackwell Philosophy and Pop Culture Series
Please circulate and post widely.
To propose ideas for future volumes in the Blackwell series please contact the Series Editor,
William Irwin, at firstname.lastname@example.org.
Abstracts and subsequent essays should be philosophically substantial but accessible, written to engage the intelligent lay reader. Contributors of accepted essays will receive an honorarium.
Possible themes and topics might include, but are not limited to, the following:
Is Peter Parker a philosopher?; Is there room for God in the universe of Spider-Man?; Peter Parker, Spider-Man, and the problem of personal identity; Does Peter Parker, post spider-bite, become something other than human?; The Amazing Spider-Man and genetic therapy; Peter Parker, Ben Reilly, and the Clone Wars: flesh of my flesh?; Just how does Spidey-sense work?; Does Peter really have a choice?; Aunt May and moral wisdom; Do Peter’s book smarts have anything to do with moral wisdom?; The scope of responsibility: should Peter feel guilt over the death of Uncle Ben?; Great power, responsibility, and the foundations of obligation; Is Peter virtuous, or just continent?; Is Mary Jane morally superior to Peter?; Doctor Octopus and the passions; Peter Parker, adolescence, and moral maturity: why is Peter so insecure?; What makes a hero?; Is Spider-Man a deontologist, a virtue ethicist, or neither?; Character and responsibility for one’s character: the case of Harry Osborn; Character and moral transformation: the case of Harry Osborn; The Spider-Man villains and consequentialism; Pride and the anti-hero; Spider-Man and the problem of evil: where does the Venom Symbiote really come from?; Spider-Man, the Venom Symbiote, and moral purification; Spider-Man, Sandman, and forgiveness; Is Mary Jane a feminist?; Peter Parker, equality, and friendship: can a superhero have non-superhero friends?; Gwen Stacy: superheroes and death; J. Jonah Jameson and obsession; The Daily Bugle, media, and manipulation; Uncle Ben, Aunt May, and what makes a family; Fathers and sons: what happened to the Osborns?; Superheroes and the limits of community; Superheroes, exceptional types, and the common good: the Green Goblin vs. Spiderman; and the unmasking of Spider-Man; Peter Parker and life as narrative.
1. Submission deadline for abstracts (100-500 words) and CV(s): June 1, 2009
2. Submission deadline for first drafts of accepted papers: September 1,2009.
3. Submission deadline for finals drafts accepted papers: November 2, 2009
Kindly submit by e-mail (with or without Word attachment) to:
J.J. Sanford: email@example.com